Gillian Philip put a series of interesting questions to me about Dead Boy Talking...
here they are...
1)What made you decide on that particular and unique narrative voice?
2)The novel has a harrowing storyline and you don't shrink from the horror of events, with some brutal description. But you chose not to show the crucial moment of Josh's stabbing and to keep it "off screen". Was that something that seemed natural from the outset or was it a deliberate choice?
3)Skye is an original and fascinating character. Where did she come from inside your head?
We get some very vivid pictures of what goes on inside Josh's head as his life slips away. Did you research the physical and psychological aspects of the dying process, or was this something you wrote by instinct?
4)I found Gary a hard character to like (which isn't to say I didn't find him fascinating, even in his absence!) How did you feel about him and what he'd done to Josh?
5)And the crucial question: Were you ever tempted to make the ending different - at any point in the writing process?
For the answers to all these questions and much more - see Crime Central Blog
The Long Weekend by Savita Kalhan
and a fascinating blog about why she writes crime fiction for teens.
Find out why Peter Cocks moved form writing TV to YA
So why not drop over to Crime Central and have a look!